More officially known as the Merchant’s House, this lovely building’s date of origin is a little uncertain. The other houses in the row were all built in 1575, but the Pink House has this declaration on its wall:
A mistake may have been made.
But, oh: a turret!
The Interior
I passed through bedrooms with beautiful wallpaper and entered the courtyard garden.
The owner of the house told me about the historically authentic paint, made with ox blood, and she also pointed out the books in that higher window to the right.
The Book Nook
Much as I wanted to just stay there in the nook – or perhaps even live in it – there were other places to explore.
Door to the loft and turret room:
In the turret:
Loft:
Robert Burns is said to have slept in the loft while working as an excise man in Banff. It was the only place in the house that felt a little creepy.
I did miss a few rooms. Though the owner assured me I could explore everywhere, I was aware that her family were having breakfast in the kitchen, and it just felt too intrusive to go through there.
The house as seen through the gate of the medieval graveyard across the street:
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Sign up to the mailing list for news about my life and writing, and some exclusive photos. If you would like to hear about new books and offers, you can follow my Amazon author page.
Did I take a pair of old pointe shoes and perform a celebratory dance in a stone circle? Yes. Yes, I did.
The reason for the celebration? Well, there’s more than one. Firstly, I’m well enough to dance around a bit. I am enduring one or two monstrous autoimmunity symptoms, but they don’t stop me dancing. And secondly, all three books of A Dancer’s Journey are now ready to dance out into the world!
Look at the pretty covers! And the less bashed pointe shoes…
Scotland’s all misty lochs and magical forests and perfect boyfriends, right?
When dance student Amalphia Treadwell embarks on a secret relationship with her charismatic new teacher, she has no idea of the danger that lurks in his school in Scotland.
Dark, witty, sexy and fun, Tendu is a compelling and seductive story of love, dance and obsession.
The books do include a little dancing in a stone circle. It’s fun, and I highly recommend it. I hope you can all enjoy a celebratory dance too.
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The composer Rhodri Williams-Wandoch has created an amazing blend of music and words on the making of meaning. He describes the piece as an intricate and profound improvised invention on a chromatic theme. I’m the second author, a little after 2.20 minutes in, reading an excerpt from SISTERS AT THE EDGE OF THE WORLD entitled On War.
Listen to my dulcet tones (I think I was putting on my ‘posh’ voice) below:
The Garden
I wish I could share the sweet scent of the honeysuckle and lavender. The garden has reached its overgrown summer phase. The poor pink bench looks like it’s about to be reclaimed by nature.
SISTERS AT THE EDGE OF THE WORLD
Set in 1st century Scotland, SISTERS AT THE EDGE OF THE WORLD includes the battle of Mons Graupius between the Romans and the Caledonian tribes. The book features a neurodivergent main character and some rather complicated romance…
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The Red Well by Whitehills in Aberdeenshire is protected by an unusual building. On the autumn equinox, at sunrise, a beam of light shines through the doorway of this beehive-shaped shelter and illuminates the well within. This happens on the spring equinox too. The well, and the building, are said to date from Roman times.
A Witch’s Hoosie
When I was a small child, I lived with my grandparents in Whitehills for a while. One day, playing with my cousins, I was locked in that building to see if the witch would get me. The place was referred to as the ‘witch’s hoosie’ back then, by children at least. There were scary stories of an old lady witch ghost. I was quite interested to see if she would show up. She didn’t, and I was eventually freed, my lack of fear having disappointed my companions somewhat.
The door is kept locked now.
Since then, I’ve always viewed the well as rather a magical place, and keenly look out for the quick glimpse of it in the landscape that you get when driving along the main Banff to Portsoy road.
Thistles by the well
It’s in a particularly beautiful spot, the Red Well. The town of Banff can just be seen in the distance below.
It was seven years in the making, this book. Both the novel and I went through a lot as the story developed: severe editing, hospitalisations, deleting, pain, rewriting, crying and being monstrous.
It’s on Kindle Unlimited too so can be read for free (there’s a 30 day free trial).
Newsletter
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Near the village of Pennan in Aberdeenshire, Cullykhan is a place that has long been appreciated by people, so it has a rich history. To the left of the sandy and sheltered beach lies an impressive promontory.
It’s been home to an Iron Age fort, now vitrified, and a medieval castle. Excavations have uncovered Neolithic and Roman finds (read more about these on the Canmore site).
From the promontory, you can see the Deil’s Lum (meaning devil’s chimney). This cave shoots sea spray with a roar during stormy weather.
It’s a place – promontory, bay and caves – that I write about quite a lot.
In THE MERMAID AND THE BEAR, Isobell, Jasper and Ian have to cross the inside of the Deil’s Lum before following a tunnel to the castle. The tunnel is fictional, and so is my description of the interior of the cave, or rather it’s stolen from just around the corner.
As is my way, in the name of research, I have explored every tunnel and cave that is remotely accessible by land at Cullykhan.
This one leads to a dark and seagull-filled space… and it’s this space that I made the characters traverse, after slipping and sliding across it myself, of course.
Isobell, at least, did not enjoy the experience:
The truth was that caves and tunnels were more fun when told of beside a fireside, in dry clothes with a full belly. The reality of them – the cold, the wet, the dripping and the echoing, and the smell of decay – was only startling. The roof looked as if a huge ogre had wielded a knife inside the cliffs, cutting and carving to his heart’s content, but the idea contained no mirth, nor even any interest. And what lay ahead in this new life of ours?
Excerpt from THE MERMAID AND THE BEAR
Climbing to the Cave
Staring at the entrance of the Deil’s Lum from across the divide wasn’t enough for me so, one day, I slid down the hill and climbed up into it. This is foolhardy behaviour, and not recommended, but I made a short video so you can see the cave without risking your own life and limb.
Writing Cullykhan
Cullykhan features heavily in the Iron Age story of SISTERS AT THE EDGE OF THE WORLD. I loved writing about this beautiful place, capturing the essence of it in words. I took its great magnificence, and its beauty, and swirled them around, adding terrible, strange and unexpected events into the mix.
Set in 1st century Scotland, and featuring the cliffs and caves of Cullykhan Bay, SISTERS AT THE EDGE OF THE WORLD includes the battle of Mons Graupius between the Romans and the Caledonian tribes. The book features a neurodivergent main character and some rather complicated romance…
Taking place mainly in a fictional castle, THE MERMAID AND THE BEAR blends an often overlooked period of history, the Scottish witchcraft accusations, in particular the 1597 Aberdeen witchcraft panic, with a love story.
FIREFLIES AND CHOCOLATE was inspired by the kidnapped children and young people of Aberdeen. The story follows the adventures of Elizabeth Manteith from the castle and her determined efforts to get back home. There’s love. There’s derring-dos on the high seas… And there’s chocolate!
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Crying while writing. Crying while editing. And even crying while thinking about writing, as the scenes, both happy and sad, play out in my mind. It’s no wonder I’m sometimes dehydrated!
So, am I the only one?
Tell me I’m not.
I can’t be.
Emotive writing is, just that. Springing from emotion. Causing of emotions. If the writer isn’t fully immersed, how can the reader ever be?
Rhododendron flowers on the pink bench
Marketing
But then, I read other things, sensible things really. Like, when we market our books, they should be regarded as ‘products’ and we should not be emotionally attached to them. This is meant to work well. It makes better ‘business’ sense. And we should write to a ‘market’ and design covers to a genre stereotype. The first one I can maybe manage, at least while marketing, but certainly not while writing. The rest, no. It all flows fast and organically out of me and I have no choice but to go where my heart takes me.
Ox Eye Daisy
So. I sob on. The latest line, from SISTERS, to set me off was: In the midst of great loss, the newness of a baby helps.
Floods.
Breathlessness.
I’m welling up just looking at the line now, overcome by all that it references.
Editing
This emotional aspect of writing is one of the many reasons good, thorough, even brutal, editing is so important. We, or at least I, need someone less attached, someone who did not write the words and scenes, to look at the work objectively and say: this could be better, this is not clear, were you under the influence of one of your stronger prescription drugs when you wrote this? Because in our, or my, invested blubbering state, we might not see it. We might not know.
The book is on its way back for edit three soon (GWL did spoil me with their three editing process, and I won’t do less now), so all is well there.
It is possible that illness is making me worse, crying-wise. I feel a bit pathetic and vulnerable. But that will pass. I will get stronger again. And you’ll get nice sensible and scenic posts about castles and standing stones 🙂
But for now, I recover – from both medical conditions and writing – in the garden. Among the flowers. With a candle.
On a happier note, one that doesn’t make me cry anyway: I’m doing a signed book giveaway over on Instagram. See it here. It runs all week (June 19th- 26th 2022) with one of each book up for grabs and it’s a worldwide competition.
It’s good to see the spring flowers. And the sunshine. As illness recedes a little along with the winter.
SISTERS
Romans + Celts = some rather complicated romance!
Set in 1st century Scotland, the novel features a neurodivergent main character, chosen sisters, fierce warriors and the battle of Mons Graupius between the Romans and the Caledonian tribes.
Go here to sign up for occasional emails that always include some exclusive photos and news of my writing and life. They’re a more intimate space than the blog. If you would rather just hear about new books and offers, you can follow my Amazon author page.
A little lull has been reached at the end of a hectic week. The colours of the loch are gentle, muted now at the darkest point of the year. I’ve seen a few blog posts about Christmas reading, such as this one here from Jacqueline Seewald. People are sharing the books they’re reading, and those that they’ve written, and I thought I’d join in.
So, share away! What books are you reading over the next couple of weeks? And/or, which books of yours should we consider delving into just now?
I’m reading Where There’s Doubt (romantic suspense/psychological thriller) by Terry Tyler and The Essex Serpent (historical fiction) by Sarah Perry. They’re both very good. My own books are down at the end of this post.
Feel free to add to the previous sharing posts too. They will be brought to the front of the blog perennially, so won’t vanish into the abyss. Share Your Books and Writing, and also Share First Lines.
Christmas Reading
My historical novels all involve little-known dark historical events, romance and a little magic…
SISTERS AT THE EDGE OF THE WORLD opens on a snowy winter solstice in 1st century Scotland. The main character is neurodivergent, and has been non-verbal until that first scene of the book.
If you like castles, Scotland, history, witches, stone circles and Christmas done medieval-style, you might like THE MERMAID AND THE BEAR. There’s also a love story.
FIREFLIES AND CHOCOLATE was inspired by the kidnapped children of 18th century Aberdeen, and features Christmas in Colonial Pennsylvania.
They’re all available in paperback, kindle and on kindle unlimited.
Go here to sign up for occasional emails that always include exclusive photos and news of my writing and life. They’re a more intimate space than the blog.
First lines. They’re important, right? I know they are. When I click on the ‘look inside’ facility on Amazon, I’m already judging the quality of the writing from those initial words.
Dickens
The full line from A Tale of Two Cities, quoted above, is actually much longer than just those first dramatic words. In full:
“It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of light, it was the season of darkness, it was the spring of hope, it was the winter of despair.”
It breaks a few modern writing rules, but I really like it 🙂
Show Me Your First Lines
The last sharing post I did was quite a success, with people buying and discussing the books. Feel free to add to it too if you like. These posts will be brought to the front of the blog every so often, and shared on social media now and again, so they won’t just vanish into oblivion.
But for today, here, let’s see those first lines. They can be lines from your published books, or works in progress, or from a book that you love. I think it would be fun to not say much more about the book other than the title and author. Feel free to add buy or information links too, though, so we can click through if we like what we read.
I’ll share the first line of THE MERMAID AND THE BEAR.
“The first time the sea killed me, my brother brought me back to life.”
